Charly Boy has reacted to the renaming of the popular Charly Boy Bus Stop in Lagos, describing the move as an attempt to erase history and silence activism. The bus stop, located along the Gbagada–Bariga axis, has been renamed “Baddo Bus Stop” in honour of rapper Olamide Adedeji, also known as Baddo.
The announcement was made by the Chairman of the Bariga Local Council Development Area, Kolade David, during the inauguration of newly renamed roads and landmarks within the council area. According to Alabi, the renaming initiative aims to honour notable individuals who have contributed to the growth and image of the Bariga community.
However, Charly Boy, whose name had become synonymous with the now-renamed bus stop for years, took to his official X account on Saturday to express his displeasure, stating that while names may change, legacies endure. He described the renaming as a symptom of fear, fear of his decades-long defiance, resistance to oppression, and outspokenness on national issues.
He said, “Dem say dey don change the name of Charly Boy Bus Stop. Hmmm. Very interesting. But let me remind you of something simple: “You can rename a place… but you can’t rename a legacy. You can replace the signboard… but you can’t erase the spirit. And you definitely can’t silence a voice that shook your tables for decades!
“This is not just about a bus stop. This is about fear. Fear of a boy who refused to bow. Fear of a man who challenged the oppressors. Fear of a man who didn’t beg the system to be accepted. “So, what do timid people do? They change the name like e go wash away their shame.” Oputa insisted that the name “Charly Boy Bus Stop” was not given by politicians but by the people of Bariga and Gbagada, communities where he had long-standing influence and connection.
“Bariga, Gbagada, the entire Lagos knows the truth. That name Charly Boy Bus Stop was not given by politicians. It was named by the people the same people Fada fought for, walked with, and empowered. “They may change the signboard. They may pretend not to remember. But let me remind them Area Fada no dey Finish. “He didn’t need to sing sweet songs to be accepted. He didn’t need to wear agbada to beg for titles. He’s a movement. He’s an institution. He’s a warning.”